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Sketch Roam on-location drawing log · roamed.pro
Line drawing: The 640 g bag that fits under a bus seat
Programmatic line art: hatched ink drawing seeded from "Hong Kong", one ink colour plus a single brick-red accent.
Field kit · Hong Kong

The 640 g bag that fits under a bus seat

A commute kit is not a smaller version of a plein-air kit. Its constraint is not size but the ability to be opened, used and closed in the ninety seconds between two stops, without spilling anything on a stranger.

Place card — Wan Chai, on the number 10 bus

KindField kit
Coordinates22.2783, 114.1747
CountryHong Kong SAR
MediumInk
minutes on site25 min
Tools in the bagA5 zip pouch · Sakura Pigma Micron 045 · Kuretake brush pen · Stillman & Birn Alpha A5 · 100 ml water bottle · ten-pan tin
First published20 Oct 2026

What is in the bag

ItemWeightWhy it earns its place
A5 zip pouch, canvas90 gThe zip is the whole point: nothing falls out when the bag is tipped
Alpha A5, 110 gsm180 gTakes ink without bleed and survives being leaned on
Micron 045, two of them10 gOne lives in the pouch, one in a jacket pocket
Kuretake brush pen22 gA single dark mass in one stroke, which is what a moving subject needs
Ten-pan tin, refilled130 gTen, not twelve; two pans were never used
Water bottle, 100 ml120 g (full)A flat bottle, so it fits beside the book
Cotton cloth, 12 cm15 gCut down from a full one; a full one is dead weight
Total567 gPlus the bag's strap and a pencil, about 640 g

The two-pen rule is the only redundancy in the kit and the only one worth carrying. Pens run out, and a commute drawing has one window; a spare pen costs 5 g and saves the session.

The nine things that were removed

Each of these was in the bag at some point, and each was removed only after the discomfort of not having it turned out to be smaller than the discomfort of carrying it.

RemovedWhy it went
Watercolour palette and brushUsed twice in four months; the brush pen covers the same ground in a moving vehicle
Pencil and eraserA commute drawing is never pencilled first; nobody can see a mistake at 40 km/h
Second sketchbookA whole second book carried for the one day in twenty the first fills up
RulerUsed once, for a tram window, and the line was worse for it
Kneaded eraserNo pencil, no eraser
Folding stoolPhysically impossible on a bus, and there are seats
Phone tripodThe one photo you want, you can take by hand
Pencil caseThe pouch *is* the pencil case; the case inside the pouch was 40 g of nothing
Six more pens in six coloursThe drawing is ink on paper, and the brush pen is the second tone

The ninety-second test

The whole kit has to pass one test: from bag closed to first mark in ninety seconds, and from last mark to bag closed in thirty, seated, without standing up.

The current layout does it in about seventy. The reason is that the pouch opens flat and everything inside is visible at once — the book, the pen, the brush pen, the tin, the cloth, each in a fixed place, no layers. Any kit that requires unpacking has already failed on a bus, and the failure is not that you cannot draw; it is that you spill something.

What to draw in the time you have

The commute kit implies a subject range. With 25 minutes and moving ground, three subjects work and everything else does not.

  • Faces on the opposite row — never, in a city where people notice
  • Hands and forearms of the person beside you — the best subject on public transport, and the one nobody objects to
  • The window and what is beyond it — the marks are yours and the view is free
  • The interior structure — grab poles, handstraps, the ceiling line, drawn between two stops as a repeated rhythm
  • A single object, drawn five times — a handstrap, five attempts, 90 seconds each; the fifth is a drawing

The last one is what turns a commute into practice rather than a sketchbook of fragments. Five attempts at the same handstrap on the same journey, and the difference between the first and the fifth is the whole of what a commute kit is for.

On weight: 640 g is about a third of a litre of water. That is the number to hold against any new item — an item has to be worth a third of a litre of water, every day, on the off-chance it is needed.